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John Williams    
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Oradour 2007
27 x 101cm (image)
$1,700

     
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KZL Buchenwald 2007
27 x 101cm (image)
$1,700

     
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In the Louvre, Paris 1976
32 x 49cm (image)
$1600

     
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Champs d’Elysees, Paris 1994
25 x 38cm (image)
$1,500

     
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Champs d'Elysees, Paris 1994
25 x 38cm (image)
$1,500

     
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Rue de Rivoli, Paris 1994
25 x 38cm (image)
$1,500

     
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Open Air Shower, Bronte Beach, Sydney 1964
28 x28cm (image)
$1,500

     
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Bondi in Winter, Syndey 1971
25 x 38cm (image)
$1,500

     
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Haymarket, Sydney1977
25 x 38cm (image)
$1,500

     
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St Kilda, Melbourne 1973
25 x 38cm (image)
$1,500

     
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Martin Place 2004
22 x 58cm (image)
$1500 (framed)

     
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Orange 2005
22 x 58cm (image)
$1500 (framed)

     
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La Colonia, Uraguay 2004
22 x 58cm (image) $1500 (framed)

     
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Hobart in the Rain 2012
22 x 58cm (image)
$1500 (framed)

     
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Hobart The Mall 2012
22 x 58cm (image)
$1500 (framed)

     
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Alan Wolff, Stanley 2011
25 x 44cm (image)
$1,500

     
     
Ingeborg Tyssen    
     
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Bush Relevance 1 1982
29 x 29 cm (image)
$1500

     
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Bush Relevance 21982
29 x 29 cm (image)
$1500

     
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 Voice of Silence 1994, 4
25 x 76cm (image)
$1500

     
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 Voice of Silence 1994, 5
25 x 76cm (image)
$1500

     
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 Voice of Silence 1994, 7
25 x 76cm (image)
$1500

     
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 Voice of Silence 1994, 9
25 x 76cm (image)
$1500

     
Colville Street Art Gallery
 
 
John Williams and Ingeborg Tyssen
 
Major exhibitions (solo after 1980).
 
2004 John Williams. Sydney Diary 1958-2003. Musuem of Sydney.
1999 Portrait of the Month, National Portrait Gallery, Old Parliament House, Canberra.
1998 «Australian Correspondences», John Williams, photograph australien, Historial de la
Grande Guerre. Péronne, France.
1997 Twenty Years on the Street: John Williams photographs, 1958-78, Byron-Mapp, Sydney.
Traces 1916-18 — 1988-95, Alliance Française de Sydney.

1995

Traces 1916-18 — 1988-95, Byron-Mapp, Sydney.
1991 John Williams Photographs, (retrospective) National Gallery of Victoria.
1989 John Williams Photographs, (retrospective) Art Gallery of New South Wales.
1986 From the Flatlands, as part of the exhibition Flanders Then and Now, Australian War
Memorial, Canberra.
1985 From the Flatlands, Australian Centre for Photography, Sydney.
1984 Finding Time, Christine Abrahams Gallery, Melbourne.
1983 Living Room Portraits, Gallery A1, Tokyo.
1982 Living Room Portraits, Christine Abrahams Gallery, Melbourne.
1981 Living Room Portraits, Australian Centre for Photography, Sydney.
 
Selected exhibitions (group after 1980).
 
2010 Candid Camera Australian Photography 1950s-1970, Art Gallery of SA.
2004 Australian documentary photography after 1946, Art Gallery of NSW.
Photography collection on display, National Portrait Gallery, Canberra.
1999 Recent Acquisitions, National Portrait Gallery, Old Parliament House, Canberra.1999.
The 1970s, Art Gallery of NSW, Sydney.
1997 A Face in the Crowd, National Portrait Gallery, Old Parliament House, Canberra.
1996 From the Street, Art Gallery of News South Wales, Sydney.
1995 Sydney Photographed, Museum of Contemporary Art, Sydney.
1994 We Are Family, Art Gallery of New South Wales, Sydney.
1986 Flanders then and now, Australian War Memorial.
1984 Segmentations, Friends of Photography, Carmel, Calif., USA.

1983

Continuum 83, 13 Australian Artists in Japan.
1981 Reconstructed Vision, Art Gallery of New South Wales.
 
collections
 

George Eastman House, International Museum of Photography, Rochester, NY, USA.
Bibliotheque Nationale, Paris.
Historial de la Grande Guerre, Péronne.
National Portrait Gallery, Canberra.
Australian Parliament House.
Australian National Gallery.
Art Gallery of New South Wales.
National Gallery of Victoria.
Art Gallery of South Australia.
Art Gallery of Western Australia.
Tasmanian Museum and Gallery.
Alburt-Wodonga Regional Gallery.

 
Conference & other papers.
 
2000

Flights from modernity: Elisabeth Nietzsche, William Lane and Utopias in Paraguay. Duncan Waterson Festschrift, UTS and University of Sydney.

1997

`Through Media Eyes. Australia and Germany 1913-1919 [Durch Medienaugen. Australien
und Deutschland 1913-1919 ]
. Goethe-Institut, Sydney.

1996 Wartime uses of photomontage at ‘Like life or lifelike?’, Art Gallery of NSW, Sydney.
1993

The Amiens Gun, Symbol of Modernity?, at ‘War, Violence and the Structure of Modernity,’ (with Prof D.B. Waterson), New York University, NY.
Interregnum — from the Armistice to Peace Day, at ‘1919 and Beyond’, Australian War Memorial.

1992

Reporting the Battle of Fromelles, with Professor D.B. Waterson at Australian War Memorial Conference.

1990

Art, Race, War & Agrarian Myths, delivered at ‘An Anzac Muster,’ Monash University, Melbourne.

1980

Contemporary Photographic Criticism, at ‘Australian Photography Conference,’ Prahran CAE.